Adams appreciates the willingness of the quartet to be in the trenches with him as he composes.
“What I appreciate about my friends in the St. Lawrence is their willingness to let me literally ‘improvise’ on them as if they were a piano or a drum and I a crazy man beating away with only the roughest outlines of what I want,” says Adams on his web site. “They will go the distance with me, allow me to try and fail, and they will indulge my seizures of doubt, frustration and indecision, all the while providing intuitions and frequently brilliant suggestions of their own. It is no surprise then for me to reveal that both the First Quartet and Absolute Jest went through radical revision stages both before and after each piece’s premiere. Quartet writing for me seems to be a matter of very long-term ‘work in progress.’”